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	<title>The Humanities Index &#187; 19th c</title>
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		<title>On Poe&#8217;s Cask</title>
		<link>http://humx.org/movement/romantic/on-poes-cask</link>
		<comments>http://humx.org/movement/romantic/on-poes-cask#comments</comments>
		<pubDate>Sun, 30 May 2010 13:08:00 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[American]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[Short Story]]></category>
		<category><![CDATA[cask of amontillado]]></category>

		<guid isPermaLink="false">http://humx.org/?p=524</guid>
		<description><![CDATA[There&#8217;s something just satisfying about reading Edgar Allan Poe. Perhaps it&#8217;s the visceral freeing of the id to do what it wants vicariously though characters like Montressor, Usher, and the Red Death. Poe&#8217;s &#8220;Cask of Amontillado&#8221; takes the reader on a psychological journey through the mind of Montresor; his and Fortunato&#8217;s descent in to the catacombs [...]]]></description>
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		<title>Shelley&#8217;s Satanic Poet</title>
		<link>http://humx.org/movement/romantic/shelleys-satanic-poet</link>
		<comments>http://humx.org/movement/romantic/shelleys-satanic-poet#comments</comments>
		<pubDate>Mon, 29 Mar 2010 21:24:46 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[defense]]></category>
		<category><![CDATA[morality]]></category>
		<category><![CDATA[percy bysshe shelley]]></category>
		<category><![CDATA[salman rushdie]]></category>

		<guid isPermaLink="false">http://humx.org/?p=515</guid>
		<description><![CDATA[Shelley, in his A Defense of Poetry, begins by making a distinction between reason and imagination: &#8220;Reason is the enumeration of quantities already known; imagination is the perception of the value of those quantities, both separately and as a whole&#8221; (109). Shelley likens reason to analysis and imagination to synthesis; reason examines the workings of particulars, [...]]]></description>
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		<item>
		<title>Notes on Arnold&#8217;s &#8220;Modern Literature&#8221;</title>
		<link>http://humx.org/theory/aesthetics/notes-on-arnolds-modern-literature</link>
		<comments>http://humx.org/theory/aesthetics/notes-on-arnolds-modern-literature#comments</comments>
		<pubDate>Sun, 04 Oct 2009 18:51:30 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Victorian]]></category>
		<category><![CDATA[matthew arnold]]></category>

		<guid isPermaLink="false">http://humx.org/?p=481</guid>
		<description><![CDATA[&#8216;Arnold attempts in this speech, &#8220;On the Modern Element in Literature,&#8221; a &#8220;general survey of classical literature&#8221; in an effort to deliver his age from its current imperfection, i.e., to comprehend man&#8217;s present and past. He suggests that for an epoch to be great, it must have a significant spectacle to contemplate and one who [...]]]></description>
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		<title>Arnold&#8217;s Disinterested Critic</title>
		<link>http://humx.org/theory/aesthetics/arnolds-disinterested-critic</link>
		<comments>http://humx.org/theory/aesthetics/arnolds-disinterested-critic#comments</comments>
		<pubDate>Sun, 04 Oct 2009 18:40:12 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Victorian]]></category>
		<category><![CDATA[matthew arnold]]></category>

		<guid isPermaLink="false">http://humx.org/?p=476</guid>
		<description><![CDATA[Matthew Arnold, in his &#8220;The Function of Criticism at the Present Time,&#8221; examines the role of the critic in society and the idea that the &#8220;critical power&#8221; is of lower rank than the &#8220;creative power&#8221; (260). He suggests that the critic, before s/he puts pen to paper, must inquire of his or her motivations: what [...]]]></description>
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		<title>Shelley&#8217;s Defense of Poetry</title>
		<link>http://humx.org/movement/romantic/shelleys-defense-of-poetry</link>
		<comments>http://humx.org/movement/romantic/shelleys-defense-of-poetry#comments</comments>
		<pubDate>Mon, 28 Sep 2009 15:05:26 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[satan]]></category>
		<category><![CDATA[synthesis]]></category>

		<guid isPermaLink="false">http://humx.org/?p=469</guid>
		<description><![CDATA[Reason is the enumeration of quantities already known; imagination is the perception of the value of those quantities, both separately and as a whole.]]></description>
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		<item>
		<title>The Gothic</title>
		<link>http://humx.org/vocabulary/gothic</link>
		<comments>http://humx.org/vocabulary/gothic#comments</comments>
		<pubDate>Mon, 22 Dec 2008 22:42:28 +0000</pubDate>
		<dc:creator>Heather Braun</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Gothic]]></category>
		<category><![CDATA[Vocabulary]]></category>
		<category><![CDATA[ann radcliffe]]></category>
		<category><![CDATA[matthew lewis]]></category>

		<guid isPermaLink="false">http://humx.org/?p=346</guid>
		<description><![CDATA[“Gothic signifies a writing of excess. It appears in the awful obscurity that haunted eighteenth-century rationality and morality. It shadows the despairing ecstasies of Romantic idealism and individualism and the uncanny dualities of Victorian realism and decadence. Gothic atmospheres—gloomy and mysterious—have repeatedly signaled the disturbing return of pasts upon presents and evoked emotions of terror [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Goethe&#8217;s Faust</title>
		<link>http://humx.org/movement/romantic/goethes-faust</link>
		<comments>http://humx.org/movement/romantic/goethes-faust#comments</comments>
		<pubDate>Tue, 01 Apr 2008 18:41:13 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[German]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[1808]]></category>
		<category><![CDATA[1832]]></category>
		<category><![CDATA[enotes]]></category>
		<category><![CDATA[faust]]></category>
		<category><![CDATA[goethe]]></category>
		<category><![CDATA[mephistopheles]]></category>
		<category><![CDATA[striving]]></category>

		<guid isPermaLink="false">http://humx.org/?p=191</guid>
		<description><![CDATA[Goethe’s <i>Faust</i> is a complex work of literature that is concerned with the place of humanity in the cosmos.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Preface to the Lyrical Ballads</title>
		<link>http://humx.org/movement/romantic/preface-to-the-lyrical-ballads</link>
		<comments>http://humx.org/movement/romantic/preface-to-the-lyrical-ballads#comments</comments>
		<pubDate>Mon, 13 Mar 2006 15:34:26 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[1800]]></category>
		<category><![CDATA[lyrical ballads]]></category>
		<category><![CDATA[manifesto]]></category>
		<category><![CDATA[william wordsworth]]></category>

		<guid isPermaLink="false">http://humx.org/?p=252</guid>
		<description><![CDATA[What is a poet? To whom does he address himself? And what language is to be expected from him?]]></description>
		<wfw:commentRss>http://humx.org/movement/romantic/preface-to-the-lyrical-ballads/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>René</title>
		<link>http://humx.org/movement/romantic/rene</link>
		<comments>http://humx.org/movement/romantic/rene#comments</comments>
		<pubDate>Sun, 19 Feb 2006 16:07:22 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[French]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[1802]]></category>
		<category><![CDATA[chateaubriand]]></category>
		<category><![CDATA[rené]]></category>

		<guid isPermaLink="false">http://humx.org/?p=152</guid>
		<description><![CDATA[Nevertheless, I set forth all alone and tall of, spirit on the stormy ocean of the world, though I knew neither its safe ports nor its perilous reefs.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Signs of the Times</title>
		<link>http://humx.org/movement/romantic/signs-of-the-times</link>
		<comments>http://humx.org/movement/romantic/signs-of-the-times#comments</comments>
		<pubDate>Sat, 18 Feb 2006 22:37:36 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[1829]]></category>
		<category><![CDATA[scottish]]></category>
		<category><![CDATA[thomas carlyle]]></category>

		<guid isPermaLink="false">http://humx.org/?p=120</guid>
		<description><![CDATA[Were we required to characterize this age of ours by any single epithet, we should be tempted to call it . . . above all others, the Mechanical Age.]]></description>
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